Mark
Dancing Ledge
CROSSFIRE-AW_TT.jpg
Cross­fire
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Crossfire, is a major new three-part drama from Dancing Ledge Productions starring Keeley Hawes. Created and written by Louise Doughty (author of Apple Tree Yard), her first original series for television, Crossfire is set in a luxurious resort in the Canary Islands. It is being made in co-production with Spanish free-to-air broadcaster TVE, in a deal struck by Fremantle, and in association with Buddy Club Productions.

Sunbathing on her hotel room balcony while on a dream holiday with her family and friends, Jo’s (Keeley Hawes) world is turned upside down when shots ring out across the complex. Gunmen, out for revenge, have, in an instant, turned a slice of paradise into a terrifying heart-breaking hell. A story of survival and resilience, Crossfire is an edge-of-your-seat nail-biting thriller yet also emotional, intimate and relatable. With the unsuspecting holidaymakers and hotel staff forced to make monumental split-second life or death decisions, the consequences will linger long after the final shots are fired.

Crossfire will also star Josette Simon (Riviera, Small Axe), Anneika Rose (Deadwater Fell, Line of Duty), Lee Ingleby (The A Word, The Serpent Queen, Criminal UK), Daniel Ryan (The Bay, Home Fires), Vikash Bhai (The Stranger, Limbo), Hugo Silva (Nasdrovia, The Cook of Castamar), Alba Brunet (Operation Mincemeat, Paraiso, The Mallorca Files), Shalisha James-Davis (Alex Rider, I May Destroy You) and Ariyon Bakare (His Dark Materials, Good Omens).

It is directed by Tessa Hoffe (Kin, Wayne, Majority), and produced by Alex Mercer (Inside Man, Doctor Who).

Commissioned by Charlotte Moore, BBC Chief Content Officer, and Piers Wenger, Director of BBC Drama, Crossfire is a 3 X 60 drama made by Dancing Ledge Productions, in association with Buddy Club Productions for BBC One and BBC iPlayer, with the participation of RTVE, Spain.

Kee­ley Hawes’s new thriller bar­rels along like a train on rock­et fuel

This edge-of-your-seat thriller will have you bit­ing your nails

…explo­sive­ly, edge-of-your-seat tense, and plugs direct­ly into every fear you’ve ever har­boured about ter­ror­ist attacks…neatly bring­ing the atten­tion away from ques­tions of geopol­i­tics to the real­ly meaty stuff…Did I men­tion it was tense? God, it’s so tense…trailing the pro­tag­o­nists as they ven­ture down cor­ri­dors and around blind cor­ners with­out any inkling of who might be lurk­ing in wait. Every move these char­ac­ters make could be their last…gripping tele­vi­sion – less shout­ing at the screen, more peer­ing through fingers…It’s a neat way of estab­lish­ing rela­tion­ships and ten­sions with­out sac­ri­fic­ing any momentum…thing bar­rels along like a train on rock­et fuel…be warned: you’ll want to binge it all if only so you can breathe again.”

Kee­ley Hawes turns gun-tot­ing sav­iour in grip­ping thriller

Who says that action heroes can’t be mid­dle-aged mums?

… grip­ping new three-part dra­ma is full of sim­i­lar med­i­ta­tions on the fragili­ty of life… Cross­fire sud­den­ly switch­es from the pic­ture of tran­quil­i­ty to the height of sheer ter­ror. Be pre­pared: the five min­utes of con­fu­sion that fol­low pro­vide per­haps the most gut-punch­ing, ten­sion-fuelled scene you’re like­ly to see on the Beeb all year…Crossfire is just as compelling…often over­whelm­ing nail-bit­ing ten­sion, view­ers will find the third and final either a much-need­ed breather or anti-cli­mac­tic… Cross­fire isn’t your typ­i­cal stripped across the week­night’ dra­ma. It can be har­row­ing and heart-wrench­ing and it asks you to con­sid­er all kinds of impos­si­ble ques­tions about instinct, vengeance and self-sac­ri­fice. But its inten­si­ty, anchored by Hawes’ bril­liant­ly resilient per­for­mance, nev­er fails to transfix.”

This Kee­ley Hawes series will have you on the edge of your seat

Cross­fire is not only nail-bit­ing and tense, it also holds a mir­ror up to our human thought process­es and fight-or-flight mode of sur­vival – that’s what makes it great…the title of tru­ly unmiss­able’ show this autumn…isn’t your typ­i­cal crime drama…It feels like you’re being pulled along by a heavy freight train; see­ing things unfold in real time while also get­ting a glimpse of the rea­son why…Even in an episode that man­ages to remain fast-paced and high octane, it is made up of painstak­ing­ly long silences. The kind where you’re left hold­ing your own breath or squeez­ing your fists togeth­er in order to remain calm, reflect­ing the ris­ing anx­i­ety and stress of the hol­i­day-goers in the series…”

Format
360 minutes
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